Step Inside a Radically Reimagined San Francisco Stunner Designed by Nicole Hollis

Table Of Content

• Take A Groovy Grateful Dead Trip Through San Francisco
• Nearby The Haight & Hayes Valley attractions
• Related Trip Guides
• The Best San Francisco Counterculture Tours
• McLaren Park
• The 400 Club in Rincon Hill
• San Francisco is alive with Grateful Deadheads for final shows. Is the city still a hippie mecca?
• Step inside of the San Francisco Decorator Showcase 2024

Once a military post, the Presidio is now a major part of the Golden Gate National Recreation Area. It has everything from hiking trails and historic buildings to a social club and even The Walt Disney Family Museum. But what's most important to Grateful Dead fans is the fact that Jerry Garcia spent nine months here when he was in the U.S. This information might surprise you, but what won't is that he went AWOL several times and was court-martialed as a result.

Take A Groovy Grateful Dead Trip Through San Francisco

Photos: San Francisco home with ties to the Grateful Dead selling for $3.25 million - The Mercury News

Photos: San Francisco home with ties to the Grateful Dead selling for $3.25 million.

Posted: Thu, 23 Jul 2020 07:00:00 GMT [source]

In her “Jewel Box Kitchen,” Kristen Peña of K Interiors engaged TBC Plaster Artisans to give her walls a sumptuous shine with a high-gloss Venetian plaster using Benjamin Moore’s Townsend Harbor Brown. In the grand foyer, Nancy Evars bathed the walls in a shiny shade of aubergine from Little Greene Paint. Just a few feet away, in the “Verdant” grand hallway, Lauren Berry matched a lacquered Arabesque console table from Randolph & Hein with her high-gloss blue-green walls.

Nearby The Haight & Hayes Valley attractions

McLaren Park is about 20 minutes south of Haight-Ashbury, but the drive is worth it because of the close connection to Jerry Garcia. In the middle of this park is the Jerry Garcia Amphitheatre, which is a Greek-style outdoor concert venue. Jerry Day features performances by tribute bands whose music would make Jerry proud. Located at 710 Ashbury Street, San Francisco, the Grateful Dead house is one of the most iconic symbols of the counterculture heyday in California.

Related Trip Guides

The incident made local headlines and was reported in the very first issue of Rolling Stone Magazine. On October 2, 1967, narcotics officers, reporters, and TV crews stormed the Grateful Dead house looking for drugs and they found a pound of pot. Bob Weir (the Grateful Dead’s rhythm guitarist and sometimes vocalist) and Ron “Pigpen” KcKernan (vocals, organ, harmonica) were arrested along with 8 others for possession of marijuana. “I knew I could run away because of those Grateful Dead people,” said a man who asked to be referred to as Out Side, who was sitting on Haight Street’s sidewalk Thursday. After the bust, the band held a press conference here, arguing for decriminalization. If all the people who smoked weed were arrested, they claimed, San Francisco would be empty.

The Best San Francisco Counterculture Tours

If houses came with a soundtrack, the groove for this historic San Francisco manse would surely be psychedelic. Radically re­imagined by AD100 designer Nicole Hollis, the mind-bending abode pays tribute to the city’s progressive cultural legacy as well as the audacious tastes of Hollis’s clients. “It’s Grateful Dead meets Burning Man meets Marrakech meets Victorian posh, with a generous dose of contemporary design and art,” Hollis says, tracing the elaborate web of influences that converge in this hallucinatory vision of modern hippie-luxe. “I wanted to bring rock and roll into the life of the house, not just as an applied gloss but as part of its DNA,” she adds. Beyond the exotic fretwork and consciousness-expanding imagery, Hollis adorned the home with a king’s ransom in commissions from avant-garde contemporary designers and artists. The multinational roster includes signature works by Olafur Eliasson, Takashi Murakami, Martino Gamper, Studio Job, Mattia Bonetti, Katie Stout, Jeff Zimmerman, Rogan Gregory, Johanna Grawunder, Jos Devriendt, Chris Schanck, and others.

Find LGBTQ+ history throughout San Francisco's different gay neighborhoods, from the Castro to SOMA. The Mission District is an outdoor art gallery full of vibrant murals depicting themes ranging from cultural heritage to social-political statements. World-class aquariums, interactive science exhibits, and diverse art collections make San Francisco’s museums a must for any visitor.

The 400 Club in Rincon Hill

Formed in Palo Alto, the band played its first gig in 1965 as the Warlocks at Magoo’s Pizza Parlor in Menlo Park, and it quickly became a symbol of counterculture. Some believe counterculture is dead in San Francisco, seemingly forced out by a booming tech industry, skyrocketing housing costs and 50-plus years of changing cultural attitudes. She has lived in San Francisco since 1998, after driving cross-country to a home she secured sight unseen. Brenda enjoys swimming out-of-doors year-round, being inspired by the incredible art scene in the City, and living in the best place on earth.

San Francisco is alive with Grateful Deadheads for final shows. Is the city still a hippie mecca?

Even today, 50 years later, the city, especially the Haight Ashbury area, is full of tributes commemorating all the Dead have done for the city and for music in general. A walk down Haight street will greet you with a huge Jerry Garcia mural, sidewalk art, and the iconic skull logo at pretty much every turn. Gift shops sell memorabilia and t-shirts, Ben and Jerry’s ice cream shop sells “Cherry Garcia” ice cream, and record stores prominently display the Dead’s discography in their windows.

Among San Francisco’s most famous houses is the Grateful Dead house, located in the Haight-Ashbury neighborhood. Here’s our definitive list of the best steakhouses in San Francisco, from timeless classics to newer gems. Learn about San Francisco's Jazz and Blues history and check out all the best places to see it performed live today.

Murals of the late Jerry Garcia are plastered throughout Haight Street, and residents recall a time when the frontman played free shows around the neighborhood—often balancing precariously on the top of a flatbed truck. Whatever style of music gets you grooving, you can find a way to hear it live in San Francisco. Free concerts across San Francisco's iconic venues and public spaces start this May and will last all summer long. The effect of the 400 Club in Rincon Hill is evident when examining the Dead's fondness for debauchery and songs of the seafaring life. Located at 400 First Street, the 400 Club was a bar owned by Jerry Garcia's parents after their previous establishment, Garcia's, shut down.

“I thought this would be the perfect place for it,” she says of the water-jet-cut and baked-glass fixture made of interlocking C-shapes they’ve been prototyping for the last year. For his stylish study, Jay Jeffers worked with Willem Racké Studio to develop a decorative ceiling treatment that looked as though it was actual marquetry inlay. And in a vestibule connecting her primary bedroom and bathroom, Sindu Peruri of Peruri Design Company offered a nod to the Palace of Fine Arts—which can be seen from windows in both spaces—by copper-leafing its rotunda-style ceiling.

From Big Pink to Whitney’s Dream House: Here’s What It’s Like to Live in a Pop Star’s Former Home - Rolling Stone

From Big Pink to Whitney’s Dream House: Here’s What It’s Like to Live in a Pop Star’s Former Home.

Posted: Mon, 30 Mar 2020 07:00:00 GMT [source]

“The clients really pushed me to step out of my comfort zone and into their world,” admits Hollis, a designer heretofore known for discreet, monochromatic palettes and assiduously tailored interior compositions. “I told them, ‘I can’t do rainbow, but I can do color block.’ It was an adventure for all of us.” Even the more outré decorative flourishes seem to have won Hollis over in the end. “It’s like a high­falutin Spencer’s shop,” Hollis jokes, referencing the ubiquitous mall destination for bawdy novelties and stoner paraphernalia. All hippie tour itineraries should include a visit to the epicenter of the Summer of Love.

Even those who know nothing of the Dead and their impact quickly realize that they are a cultural icon. But ironically, even with all this fanfare, very few people realize the Dead actually lived a block away up Ashbury Street. The group's original members—Jerry Garcia, Phil Lesh, Bob Weir, Bill Kreutzmann, and Ron "Pigpen" McKernan—lived in the purple Victorian house located at 710 Ashbury St. from 1966 until 1968. Originally a boarding house, the rooms mysteriously began to open up just when the band needed to vacate their residence north of the Golden Gate, and they ultimately took over the entire building. Mere blocks from the Haight-Ashbury junction, the house was the site for many shenanigans, including an infamous 1967 drug bust.

Twenty-eight intrepid interior and landscape design firms took up residence in the 11,155-square-foot home on “Billionaire’s Row” in Pacific Heights to transform the recognizable property into a showplace for modern living. Less florid than San Francisco’s Victorian-era Painted Ladies, the Colonial Revival–style home was designed by architect Edward John Vogel and built in 1897. Its location in the storied Haight-Ashbury district placed the house at the rainbow-bright center of 1960s counterculture, the era when Gene Estribou, a previous homeowner, opened a recording studio on the dwelling’s attic level. The Grateful Dead laid down some of their earliest tracks there, as did Quicksilver Messenger Service, Steve Miller Band, and other mandarins of the San Francisco sound. Staff at the Piedmont Boutique said Grateful Dead concerts have drawn in a swarm of customers this week, many of whom were sporting colorful rainbow tees and the band’s iconic skull symbol.

The Dead house gained icon status from this as well as photos of the group taken on its front stoop, which were circulated widely. Although it is home to someone else now, visitors can still pose for photos outside the front gate at the Grateful Dead house and see Deadhead art on the sidewalk outside. In the grand hallway, Berry selected a sculptural light installation called “Sand & Sea–Cascading Waves” from London-based design studio Haberdashery.